Collection One

The artwork presents as a wall-sized texture field of blue with a strip of concrete. Three different areas of pentimento texture suggest a mash-up of different timelines and past communication. The juxtaposed triptych suggests chronologies of life, work, repair, and the patina and wear of living. Embedded and overlaid over the surface are typography elements suggesting past information of signage. The encaustic medium - beeswax and damar resin - is used as an additive and subtractive medium. Adding and burying some elements. And scraping, excavating and revealing other elements. The artwork suggests a solid construction and information. The evidence of wear on the artwork suggest that there has been changes, repair, and information that has been obscured and lost. The artwork might have had a message for the viewer, and the significance has past, but the structure remains steadfast and has become an object unto itself.

This artwork presents a banner of colour overtop a raggedy-anne quilt like patchwork of soft colours. The top band seems to have been exposed and coming through the background.

I am constantly amazed how a simple message of information can get so confused when it is transported through different people, contexts, languages, cultures - and time. This painting exhibits glimpses of communication. From a distance this painting is a chunk of colour. Upon closer examination we discover slight workings buried under the surface and subtle colour revealing itself. A viewer with their nose close to the surface can identify glimpses of written information. Someone was present here.

Elements appear to be flying around over a surface etched with scientific or geometrical information. The painting presents itself as a flying circus pageant. On close examination the etched elements of science, knowledge and everyday things are quietly evident in the substrate.

Zeppelin and waterdroplet shapes float over the surface. Geometry elements are subtly visible etched into the background substrate. The painting presents itself as a flying circus. Perhaps a Zeppelin parade or a circus, but with the workings of science and knowledge are working quietly in the background.

A texture field that suggests our worldly elements. Imbued in the surface is a seemingly ancient pattern partially revealed through excavation. We live among giants in a delicate balance gently embracing us and giving life.

Rampallion - A ruffian or scoundrel! This painting recalls obscured layers of wallpaper, repair, and partially revealed discovery. A passive scrolling floral pattern is quietly revealed through incidental lighting.

Revealing a past by excavation of the current surface suggests that there is much more depth and history than what meets the eye. In some ways this artwork shows the artist planning their initial strokes and working through the movement of the pattern. The artist’s contemplation of pattern reveals the initial preliminary sketchy stages.

A wall of texture as if from an ancient cantina.

This piece was built on promises. Everything was once shiny and new and full of expectations. Now, used, old and beaten up. Repaired. Obscured. And then lost. Were the promises true?

One child in every class stands out for one reason or another. Sometimes the whiz kid will rise to the occasion and shine through and champion thinking and thought. Or sometimes they will falter and fail. A tribute to trying.